PDF Ebook Easy Riders, Raging Bulls: How the Sex-Drugs-and-Rock 'N' Roll Generation Saved Hollywood, by Peter Biskind
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Easy Riders, Raging Bulls: How the Sex-Drugs-and-Rock 'N' Roll Generation Saved Hollywood, by Peter Biskind
PDF Ebook Easy Riders, Raging Bulls: How the Sex-Drugs-and-Rock 'N' Roll Generation Saved Hollywood, by Peter Biskind
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Review
Mark Harris Entertainment Weekly Peter Biskind's great, scathing, news-packed history...is one hell of an elixir -- salty with flavorsome gossip, sour with the aftertaste of misspent careers, intoxicating with one revelation after another,...an "A."Dennis Drabelle The Washington Post Book World Biskind's devourable book is that rarity, a Hollywood exposé that you can read mouth agape, slurping up scandal and titillation so fast you're in danger of choking -- without feeling ashamed of yourself.Brian Gunn San Francisco Chronicle Biskind is a magician at prying revealing yarns and juicy quotes out of his subjects. And the resulting scenarios are deliciously tawdry...moments of real intelligence and grace.
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About the Author
Peter Biskind is the author of five previous books, including Easy Riders, Raging Bulls: How the Sex-Drugs-and-Rock 'n' Roll Generation Saved Hollywood. He is a contributor to Vanity Fair and was formerly the executive editor of Premiere magazine. He lives with his family in Columbia County, New York.
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Product details
Paperback: 512 pages
Publisher: Simon & Schuster; 1st Touchstone Ed edition (April 4, 1999)
Language: English
ISBN-10: 0684857081
ISBN-13: 978-0684857084
Product Dimensions:
5.5 x 1.3 x 8.4 inches
Shipping Weight: 1.1 pounds (View shipping rates and policies)
Average Customer Review:
4.3 out of 5 stars
121 customer reviews
Amazon Best Sellers Rank:
#96,723 in Books (See Top 100 in Books)
The best book ever on the history of filmmaking as we know it today.
Now, this book does talk about the films of the late 60's-early-80's quite well. It does list examples. It even has good citings done the way all written work should be cited. However, this book left me feeling like the author either didn't like this period of cinematic history or wanted to create a narrative that stated that these well-known filmmakers all tried to make history and change the way Hollywood works but failed miserably, which wasn't exactly the truth. These well-known filmmakers documented in this book didn't go into the business to just try to make history. They did so because it was their dream to do so and their films did change Hollywood. Many of the filmmakers documented went on to have big careers, win Academy Awards, get their films added to the National Film Registry (i.e. American Graffiti, Close Encounters of the Third Kind, Easy Rider, Mean Streets and Raging Bull), and they even inspired multiple "rip-offs" and films that followed in their footsteps. Just keep this in mind even if there's no intention to read this book. Francis Ford Coppola, Roger Ebert and Steven Spielberg sure as hell want you to keep this in mind too.
This book was a fast and enjoyable read. Peter Biskind is able to shed light on the personal lives of the stars that were involved in the cinematic upheaval that was the New Hollywood movement. The book focuses on those directors and producers that helped usher in a new era of Hollywood films that were considered rebellious and daring in their production and subject matter. Today, names like Coppola, Scorsese, and Spielberg are common household names, yet they had their start by causing a stir in Hollywood by rallying against the established system. Most of this book covers the time period between the early 1960's through the 1980's. It discusses how the new hippie mindset and sheer debauchery of the time contributed to some of the greatest films ever made. Biskind is able to transform what could have been a by-the-numbers academic study of a tumultuous period in the industry and paints it in a narrative fashion that is able to give us a glimpse into the mind of these filmmakers and producers who were not just shucking the conventions of their time but turning the established Hollywood system on its head. I highly recommend this book for anyone with a passing interest in films or this specific period of film making. You will not be disappointed.
In the 1970s not only did the patients get to run the asylum known as Hollywood, most were children, if not in age certainly in temperament. The youth of America got to make the movies they wanted to make and see. Some of these young people were genuinely talented, others not quite, but they forever destroyed the old studio system and cleared the fetid air. This is a page-turning record of the self-indulgent personalities who did it and how they did it. Not many rate at first-rate human beings. Few made films that will pass the test of time. But this book describes a defining moment in American life, not only culturally but socially. A must read for anyone interested in the American experience.
I feel like I need to check into rehab after having read this book!A motley collection of aspiring and idealistic young filmmakers band together in support of each other and with dreams of creating art. A little fame, money, and success gets tossed in later on, and all Heck breaks loose: egos and pettiness surface, neuroses flare up, sex and drugs become the currency of the day, fortunes are won and lost and won again (and lost again), and the cooperative spirit dies an ugly death.Rather than spoil it for you by recounting specifics, I'll just say this business can bring out the worst in people and it certainly did in the case of many of the principals featured in "ER,RB". But it makes for a juicy read, that's for DARN sure! And I'd bet dollars to doughnuts that what is recounted in this book is really just the tip of the iceberg.This book is a hybrid of all types of information -- historical record, oral histories, and a more than a little bit of gossip rag thrown in for prurient pleasure. Ideally this book would be just volume one in a long series. But I was thoroughly entertained by what Biskind did uncover.If you hold some high-profile film directors (Spielberg, Lucas, Altman, Bogdanovich, Coppola, Scorcese, etc.) in somewhat high esteem for their contributions to film, you may find that your opinions might change somewhat. But learning WHY will be a fun read.
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