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In his first collection of short fiction, Bill Barich gives us cause to celebrate a prose stylist who can gracefully cross the boundaries of genre. As stated by Anne Tyler, Hard to Be Good is so large and complete that you tend to look up at the end and find yourself surprised that it’s still the same day.
Set in the American West, as are three other of the seven stories in this book, it is about the unselfconscious struggle for wholeness in a divided family. Its adolescent protagonist moves from innocence to experience in the course of a summer vacation with his mother and her third husband, and the result is satisfying, rather than harrowing.
The attempt to make signification relationships cohere, to weather the transformation of innocence, informs all the stories in this book, and in Barich’s worlds the outcome is often goodknowledge does not always lead to hopelessness. Highly disparate mothers covering on a couple in Idaho Falls (Where the Mountains Are”) have much to teach and learn, a nineteen-year-old American studying in Florence accepts the surprising human complications of an outsider’s great pensione adventure (Caravaggio”) . . . and that’s just a few of Barich’s brilliant stories.
Hard to Be Good is a book of real feeling, breadth, and narrative movement. As Frederick Exley wrote, Barich is a splendidly gifted writer.”
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- Sales Rank: #5173150 in Books
- Published on: 2015-10-27
- Original language: English
- Number of items: 1
- Dimensions: 8.20" h x .80" w x 5.40" l, .0 pounds
- Binding: Paperback
- 192 pages
From Publishers Weekly
Barrich's first collection of seven short stories, which takes a look at the lofty standards people set for themselves, is not just good, but very good. The title narrative introduces Shane, a teenager spending a vacation with his ex-hippie mother and her third husband. Trying hard to behave, Shane nevertheless seems propelled, almost by fate, to end up in the local jail. In "The Guest," the behavior question is seen from another viewpoint. The owner of a small Italian guesthouse calls it "a victory for the forces of order" when he evicts an unruly guest. As time passes, however, he finds he misses the friendly chaos the man's annual visits brought. Barich (Traveling Light) has a rare ability to create quirky, likable characters with a few deft strokes. That, and the fact that his short stories are complete, compelling narratives in which problems proceed forward resolutions, make this collection especially appealing.
Copyright 1987 Reed Business Information, Inc.
From Library Journal
Barich has here collected seven stories, all but one previously published. In toto, the stories have a monotonous similarity, with casual character encounters and almost-immediate emotional/sexual involvements left underdeveloped by indiscernible plots with incongruous linkage. Critical questions arise: Does the omission of relevant cohesiveness suffice for adequate story development? Does the random insertion of six or seven short sentences indicate a purposeful flaunting of stylistic dissonance? Is it truly a conclusion when the words just stop? Barich's nonfiction (including Traveling Light , LJ 12/1/83) has received plaudits, but here he sinks abysmally into a creative quaqmire. Glenn O. Carey, Eastern Kentucky Univ., Richmond
Copyright 1987 Reed Business Information, Inc.
About the Author
Bill Barich is the author of numerous books, among them Big Dreams: Into the Heart of California, and The Sporting Life. He has written extensively for The New Yorker, as well as Playboy and Sports Illustrated. He has been a Guggenheim Fellow in fiction.
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